The current exhibition at London’s Science Museum, “Dan Dare and the birth of hi-tech Britain”, brings to life a golden era of UK manufacturing.
The exhibition uses the popular comic strip as a backdrop for the plethora of British manufacturing success stories that defined Britain’s bid to re-invent itself as a high tech nation after the Second World War.
But tellingly the exhibition also highlights the factors which created so much pressure for companies in the UK and around the world. The sentence “In an age before globalisation, products from rockets to radios sprang from local roots” is heavy with nostalgia for a bygone age, but it also contains the reason why that era is indeed ‘bygone’.
As one of the first nations to industrialise, Britain’s ability to invent, design and innovate became inextricably linked to manufacture. The assumption was that the two went hand in hand. But as Britain moved in to the second half of the 20th century, flush with the success of its wartime ingenuity (radar, penicillin, the jet engine), it failed to spot the impact of advances in transport and communication that would deliver ‘globalisation’. The intrinsic value of its innovations should have been recognised, and they should not have been regarded as just ideas that might keep the country’s aging and increasingly expensive factories turning.
The display therefore contains two lessons for companies both in Britain and elsewhere. A salutary one in that the need to understand the wider context of design and innovation is vital. An inspirational one in that many of the products featured could be recognised as having made major contributions to modern life. Murphy, Cona and Russell Hobbs are just a few of the brands celebrated for creating a new home-life in post-war Britain.
The show leaves us with another double-edged message.
“...Britain retains an especially strong creative lead in conceptualisation, design and branding. Just as in the pages of Dan Dare, Britain remains the place where the future is imagined in to being.”
The challenge remains how to capitalise on conceptualisation and design as we can’t rely on using a manufacturing base to reap the dividends of great ideas. Imagination is always important, but it won’t pay the mortgage (or the budget deficit) by itself.
The exhibition uses the popular comic strip as a backdrop for the plethora of British manufacturing success stories that defined Britain’s bid to re-invent itself as a high tech nation after the Second World War.
But tellingly the exhibition also highlights the factors which created so much pressure for companies in the UK and around the world. The sentence “In an age before globalisation, products from rockets to radios sprang from local roots” is heavy with nostalgia for a bygone age, but it also contains the reason why that era is indeed ‘bygone’.
As one of the first nations to industrialise, Britain’s ability to invent, design and innovate became inextricably linked to manufacture. The assumption was that the two went hand in hand. But as Britain moved in to the second half of the 20th century, flush with the success of its wartime ingenuity (radar, penicillin, the jet engine), it failed to spot the impact of advances in transport and communication that would deliver ‘globalisation’. The intrinsic value of its innovations should have been recognised, and they should not have been regarded as just ideas that might keep the country’s aging and increasingly expensive factories turning.
The display therefore contains two lessons for companies both in Britain and elsewhere. A salutary one in that the need to understand the wider context of design and innovation is vital. An inspirational one in that many of the products featured could be recognised as having made major contributions to modern life. Murphy, Cona and Russell Hobbs are just a few of the brands celebrated for creating a new home-life in post-war Britain.
The show leaves us with another double-edged message.
“...Britain retains an especially strong creative lead in conceptualisation, design and branding. Just as in the pages of Dan Dare, Britain remains the place where the future is imagined in to being.”
The challenge remains how to capitalise on conceptualisation and design as we can’t rely on using a manufacturing base to reap the dividends of great ideas. Imagination is always important, but it won’t pay the mortgage (or the budget deficit) by itself.